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COMPETITIONS 

Susan Blyth-Schofield, Convenor

ORMTA Competitions provide experience for young artists to reach their fullest potential. As students challenge themselves, artistically and technically, to perform at their very best level, they also receive feedback from the jurors and are exposed to the repertoire and performance styles of their competitors.

 

We are planning for our 2025 Competitions to be held on the weekend of May 3rd and 4th 2025 at the University of Ottawa’s School of Music. Further details about the exact location(s) will be posted as soon as they are confirmed.

All applications must be made online. The application form will be posted by the end of February 2025.

Deadline: 6pm on Tuesday 1 April 2025.

2025 Competitions Rules and Regulations

2025 Adjudicators

Frédéric Lacroix has performed in Canada, the United States, Europe, and Asia as a soloist, chamber musician, and collaborative pianist. As such, he has performed with many important musicians, including Branford Marsalis, Johannes Moser, Kathleen Battle, Alexander Rudin and some of Canada’s most noted musicians. He has made regular radio appearances on the Canadian CBC and SRC and the American NPR.

Following the University of Ottawa’s purchase of a fortepiano in 1997, Frédéric has devoted part of his time to the study and performance of music on period keyboard instruments, for which he was recognized as the Westfield Center Performing Scholar for the 2008-09, and has presented numerous concerts (solo, chamber music, with orchestra) in Canada and the United States as harpsichordist and fortepianist. Although Frédéric performs most frequently in chamber music settings, he performs regularly as soloist, as orchestral pianist,

and in recital.

Intrigued by the seemingly infinite diversity of new music, Frédéric has enjoyed collaborating with composers and performers in the premieres of a number of Canadian and American works. Frédéric is also active as a composer, having composed for the Ottawa Chamber Music Festival, the Society of American Music, the Canadian University Music Society, the Choeur Classique de l’Outaouais and other noted Canadian musicians. Frédéric is featured as a pianist or a composer on a dozen recording projects, some of which regularly air on CBC radio.

 

Much in demand as a collaborative artist, teacher, adjudicator and composer, he currently teaches piano and composition at the University of Ottawa. He holds degrees from the University of Montreal, the University of Ottawa, and Cornell University, where he recently completed his Doctorate degree in keyboard performance practice with Malcolm Bilson. His other teachers include Marc Durand, Cynthia Floyd, Andrew Tunis, Jean-Paul Sévilla and Monique Collet-Samyn.

Canadian Zwischenfach, Jay Marchand Knight (they/them/iel) is a Frederick Lowy Fellow in the Deroche Laboratory for Hearing and Cognition at Concordia University in Montreal, Canada.

Their research is concerned with voice timbre and gender perception, decolonizing opera, and the application of singing as part of larger voice, speech, and language (re)habilitation programs.

Jay holds a Doctorate of Musical Arts from the University of Miami, a Master’s of opera performance from McGill University, and served as the Director of Children’s music at St. Patrick School and Church in Miami Beach from 2008-2016.

Jay has taught voice at University of Miami and The Voice Lab, Inc., a Chicago-based school that works with the 2SLGBTQIA+ community and they are currently on faculty at The Schulich School of Music at McGill University. A working singer, career highlights include the premiere of Stephen Edward’s Requiem for My Mother at Carnegie Hall, a pop-up Traviata at Casa Fendi with Florida Grand Opera, the title role in Handel’s Giulio Cesare with Opéra Queens, The Elder

Sister in Philon Nguyen’s recently released recording of The Cherry Orchard. Upcoming performances include the title role in Carmen with Jupiter Opera. As part of their interest in bringing opera and formal singing to broader audiences, Jay frequently engages with community-based companies and new music ensembles, such as RISE Opera and Lakeshore Light Opera in Montreal and Singing Out, a Toronto-based queer choir. Also active in composition and research-creation, their multimedia installation, Where Can We Sing?, on the subject of voice and identity, was awarded first prize for INDI Research Day in 2023 by

Concordia University.

Jay has received research and creation grants from the ACTOR Project, the Society for Music Perception and Cognition, and Watershed and was the 2019 recipient of McGill’s award for Community Building.

COMPETITIONS  & COMPETITIONS GALA ARCHIVES

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 © Copyright 2022, ORMTA Ottawa Region Branch

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